I wanted to meet Coque and connect with him immediately and with his music that calls nature by the vibration of the sound that transports to the root of what we are.Also captures images that have voice because they speak in the silence of a photograph.Sharing with him is traveling through the world and his cultures and is to melt with the warmth he delivers in each word and in each look.
What's in you?What vibrates in you?Who are you?
What questions has its own name and is called connections, which is the essence of everything.That is what is in me, a connection, a vibration.
One has the mission of connecting and being part.They are gears of transcendental things for humanity such as understanding that there are communities in the world who are thinking of saving the planet for more than two thousand years and today they want to connect here.
I think there are people who manage to connect with worlds that interest you from some spiritual aspect, either for your inner growth or to do good.It is a job that has no egos.It is communication.
In itself, what I do is not a photographic material, but I illustrate procedures that heal the earth and currently that has relevance because the world is on the verge of an environmental collapse and we all know it.
Many years ago photography was a hobby and today it is tremendous responsibility, and very pretty, in addition.Imagine, being able to connect with an audience to a thing that does not even contain a word, it is simply a state that leads you to a sense of eternity, like music.
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It has been a very time search.I only know that I vibrate with music and that it is inside me and that I feel the need to generate it because it is a way to offer, to give.It doesn't matter what you give, the important thing is that you are giving and people receive it in some way.A vibration is love, and the task is that.
I don't know where I come from and I would love to know.
Childhood
You're going to surprise yourself because my origin has nothing to do with what I do today.
I was born in a Bogota family, I would say that accommodated.My dad, a very talented civil engineer, designer of golf course in the country and an impressive golfer.
I always had a very close connection with nature, with the field, and especially with my dad.I have him as a great teacher, a great reference that always supported me and knew me.
My mom, an English lady whose parents arrived in the postwar period looking for horizons, was a very important figure in my life not only for being a mother, but for the world that transmitted us when we were little.
School
I studied at a traditional Bogota school, modern and country gym, attending all golf clubs and growing in a bubble, the one that my parents gave me.
I have lived very well of my work, but it would not be my center to assume the action of a club my whole life, so I exorcise the need to exercise on the bicycle.Before I went to the gym, I kicked in the Bogotá League, of course I am dying today.
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Golf
I always told my dad that I wanted to be a golf professional.Playing I made friends.I could consecrate four days in a row, but he recommended me studying a career and then deciding if I wanted to dedicate myself.He was very intelligent and I think he somehow tried to be a professional in golf, but he knew that at that time of life he had no way to live from sport, so he dedicated himself to his engineering.
I was professional in that sport, playing the national and South American.
Sport fascinates me because it liberates mentally.Nowaday, it is a bicycle, because it is a way to abstract the mind and connect with the heart.But the world of golf has nothing to do with the spiritual, and of course it is a connection with the impressive nature.
University
I studied architecture, but I liked painting too.As in the house there were always planes, I found ink and paper.I wanted to study something artistic, that would allow me to hear music all the time and I did not hesitate.That is architecture.
I have an older brother and I saw that it was great: I worked, he heard music and concentrated.I liked the career so much that I would study it again.It is not my thing to work under construction, but the perspective, the handling of the materials to make the plans, the inks, the rapidographers to paint the millimeter, - work that delayed tons and that I still have - they generate fascination.
Architecture
En la University Javeriana tuve un profesor, Herbert Barech, que fue una marca absoluta en mi vida.He impregnated me with a vernacular architecture, because he lived in contact with the earth, with the mud, with the crafts and felt an infinite respect for nature, by the leaf, by the tree, which today would be architecture of the earth, but alsobuilt with adobe and made modern architecture.He died a long time ago.
The teachers supported me and promoted me a lot and told me: "See Coque, dedicate yourself to this".
I took charcoal classes outside the race;Painting is at another level;Photography has the power to capture something true and to reinterpret it in a real image.The painting works on an imaginary and tells you the truth that the artist wants to give you.In photography is what it is.
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And photography can be artistically altering.
Yes, it can be altered.And photography speaks of that truth, of that image that is like a miracle of optics and a camera.A camera what it does is capture and nothing else, but the look is that evolution process that you carry throughout your life doing one thing and that was what happened to me.
Music
I love music because it connects.
The way of presenting the projects today is in Performance format: Friends musicians that we play while gigantic images are projected to take the audience to an atmosphere that is what we propose.Is the personal project.
One of my friends is a classic flutist, Hernandito, my soulmate who travels throughout South America giving classical flute workshops, but what he likes, as essence, is how it is simply a channel.When more people are added, a structure is armed and there is percussion.This occurs with my violinist friend and another who sings.Ancestral instruments.Never will an interpretation be equal to another.Never!
I imagine you as that differentiator, such as the one who breaks homogeneity, but without attracting attention with stridency, but as who lives an observer silence that is capturing any amount of sensations that allow you to express yourself through your art.I see you as the one who is creating a world within the world that already exists.When did you realize that you had that universe in you?
When people liked.I asked if they wanted to hear, and they said:
- Coque, that sounds like a place in the world.
- Well, then come, we imagine that and we play as is to connect with places on the planet.
These instruments are made exactly for that, they connect with the place where they are made;They are instruments that carry a specific message and an intention.These will be sacred flutes while you are on the offering channel.
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How do you get to these instruments?
I arrive from school, playing a sweet flute like every child begins, interpreting the condor and all that.Like air instruments, I also like percussion.
The connection with music takes you out of this time, it takes you out of this moment and takes you to another place;It is an imaginary in your head and in your heart;connect cute and there is nothing else.
After many years, I had a unique opportunity that was to study on the Shakuhachi flute, the first one I met in my life, very complicated, and with the sound of Zen Buddhism.It is the traditional flute of Japan that was a religious instrument and then became popular.
As you will express at the beginning, with music you accompany all your creative processes.
Yes always.But there are a lot of instruments.Look, this is a drum of the Navajos, it is pure ritual;It is a drum that marks the heartbeat, that is in all rituals, and on that a song is mounted.It is a very old instrument of humanity.
I have a friend, Sumapinta Serrano, who makes some drum workshops in Colombia.It is a man who explains the spiritual part because this is to connect with the heart.
The drum is the land's beat, it is the essence.
And with him you call life.
Of course, totally.It is the beat of the earth and it is one of the natives for millennia.This is beautiful (he says it indicating another instrument);That is Egyptian;This is a lower drum, very beautiful too and there are a lot of flutes.
Look Isa.This particular is called a dual flute bought in Cusco.Life gifts.These are things that appear in life, on trips.They are wonderful.It is amazing.
It was in good hands.
Yes, it was in good hands.
There are many universes, that has happened in my life.This is called Yurupari ritual instrument of the Sibundoy Valley, Putumayo, connection with the mother earth of that beautiful jungle, with those rivers.
- You have to go!
You build a phrase and not stop.We take a state of real vibration to the audience.We do not pretend anything different from connecting.
Are the air instruments that connect you the most?
Yeah.I rehearsed guitar, any number of things and said:
- No no no.It is this!
I have a friend who plays trumpet and is an excellent musician, who has a very well separated brain because he is never wrong.
When you make music, where do you move?
I'm going to a delicious, infinite, thank, mantra, vibration vacuum.I am empty.I love.
Is that emptiness a way to fill too?
Of course, to renew.It is like a white light, how to visualize that type of light that manages to load the battery literally, which in other civilizations are the energy centers, the farms.You do it aware and if you want to work, do it in it.It is the path of oxidian to find amount of things in this growth and does not reach your life.
You open spaces permanently to be able to feed up emotions, sensations, experiences.
When you connect with your heart, you solve everything, well, maybe not everything, but everything is more bearable.
I have participated in things that invite me and I am not really a musician, I don't know how to read music, but they tell me "make it sound".And I write the phrases to play in a certain assembly.
You grew up in the middle of the classics, but you get to music that connects with nature in another way.These sounds are something else.What takes you there?
Yeah, efectivamente.When I was seven years old, they invited me to hear classical music to the house of Fernando Gómez Agudelo, Bernardo Hoyos, to the Dresner.Tere was my christening godmother and the marriage of my parents, also a parallel mother, if you want, because mine is sick many years ago and they are like sisters.I grew up in a cultural world, with concerts too.Digitalize the music of Gómez Agudelo and the collection is inexhaustible.
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I did yoga, I was in deep meditation schools such as the Gurdjieff school, Chi Khun metaphysics schools, etc..
I share this situation: they spend a fantastic movie, meetings with notable men, by Peter Brook, and at the exit of cinema, very serious people ask me:
- Did you like?
- Tremendous!
- Are you interested?
- Yeah, claro.What is there to do?
- Such day, in such a hall see you.
And Argentina came to teach on weekends.It was the Sufi road, a serious meditation school.We meditated four, even six hours a day;We had to clean the house to take care of the movements.I last several years there, but I clarify that I am not a fan or that, or anything.
Then I got into metaphysics, it seemed brutal.I could not understand how someone can in front of a board, explain the atomic order of the universe in two weeks dedicating four hours every day every day.They tell you about the dimensions of the beings that inhabit other places, their messages and others.The closest to the Urantia book that is the Bible of Universal Connections, so to speak.Tao Teching, for example, which is very basic and where you are never right, tells you:
- Yeah, pero no.
New Horizons
Some friends adopted me at some point in life because I had to get out of my parents' house given an alcoholism of a close relative.I do not take anything, neither do my sister, I am also a athlete.It was a very difficult time in which my dad shouted desperate.
- I can't hear those screams anymore!
I decided to go and work in a night bar, while in the day I studied architecture.Suddenly huge mechudos arrive like hippies and tell me:
- And what do you do?
- I put music, do you like?
- Yeah, ¿nos la grabás?
And I gave them a cassette.A week he returned that same mechudo, a bacán, and gives me a book of poetry and photography signed by him.Thought:
- But who is this?
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What a wonderful thing!A major guy, and that man is Ángel Beccaassino, a reference of spiritual interior work, is a school.He offered me to live with him.He lived in La Candelaria, it was to call him in some way, a commune, which was very interesting, of hyper artist, talented, talented.I knew ten years in advance where the world in music was going to listen to Rita Roberts, Alfredo de la Fe.I met that whole group of La Candelaria that was very rumbero;Clearly I was not.
I learned a lot with Angel, I also gave me work.He has always been an important advertising reference in Colombia and today is a political analyst, a very prolific writer.I was twenty -two years old, before my trip to Japan.
Japan - Photography
Was there a turning moment in which you acquired that awareness of what it transcends?
Maybe yes.When I lived in Japan to my early twenty years when I suspended the architecture career to travel.
My friend of the soul in the line of life, the one that always invited me to the places where I was because his parents were diplomats, he told me:
- Coque, if you want to study in Belgium, go without problem;If you want in such a place, go too.
And when my dad gave me free way, at that time they were in Japan.
I went to study Tokyo, I lived at the embassy, I was a member of the diplomatic corps.While I asked about photography courses.Kuniko's husband, the secretary of the Embassy, Tsunehiko Kano, was a representative of Canon for the world, and I had the privilege of being his assistant.
I left Colombia of wonderful people, connected to nature, the Beleño snack, the roscón, the Colombian and all that story that one loves, to try to explain to the Japanese what this universe means.I took coffee and other products, becoming that person who wants to connect the image of their country elsewhere, in a person who somehow puts a grain of sand.
An ambassador.
Isa I told you my absolute root!Patty knows her, but it seems nice to share it.
Tsunehiko, Kuniko's husband, really adopted me.I want to give you an example of what it was to work with him:
You had to take a picture of a facade, so I loaded the cameras that were huge drawers, weighed a ton and the tripods that were giant.We quadded the camera, I measured the light, he towards the perfect frame and when he looked he said:
- No!
- No what?
- It won't be done.
- OK ready.
And I packed everything, we went home, invited me to drink tea.Imagine, the Lord wanted to attend me.The Japanese are very special.
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Why did you want a photography course and not anything else?
I liked it from school.I made the yearbooks, expanded, revealed, delivered, sold, bought rolls, glasses.I felt that I could control a job well done.I really were doing well in him.
It was a hobby because I did the photos to the graduates of the school and also the portraits.I really cared me.I learned a lot and, as they say, everything adds.
But that comes from behind, since the age of sixteen.I saw the photograph and I loved it, the painting, and I have many painters, I have been able.
I try to develop artistic work.Today the world for me has changed a lot.I am a commercial photographer, I take photos of pizzas, models, food, whatever you want;It is professional work, but my essential work is what I tell you, really.
Music, image, image treatment where you want to take people to think what you think is good, what you think connects, is an ancestral thought.What I try to connect is that.
If humanity had memory, the world would be totally different, but man permanently forgets and forgets.
I studied photography in English being in Japan.The theme was deep: Zonal, Black and White System.What one learns is texture, handling and the form of light: hard, soft, more sifted, less sifted lights, light sources.One learns technique and part of expressing art is really knowing what toys are adequate.It was the analogous era of photography so you find this camera museum here.But at that time I really saw photography as a possibility of making a living, of being a commercial photographer.
I have had such opportunities that I say:
- My God, but at what time I managed to take advantage of so much and in this way.
Upon return, I finished the race.I love la arquitectura, aunque trabajé muy poco en ella y me dedico a la fotografía.Some friends friends released me the design of a house and paid me, but the process was very slow.Instead, I took a photo, they gave me work and paid me from a.And I think:
- Why can I make a little walk
The commercial is simply a job, a resource to live, to pay the accounts.I don't have a gallery owner or I am not very interested, but María del Pilar Rodríguez has been a brutal connection for me:
- How does that woman paint my soul in letters seeing some photos!
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Always remember Sunejico, this teacher I am talking about and his brutal philosophy of doing things in an absolutely perfect way because there is no possibility that computer touch.
The Japanese are an impressive civilization.It marked me to know a deeply spiritual universe.There I also found literature, books by Japanese poets, his music, of course, and the way they move.I saw them walking in a contemplative way.He watched his temples, that parallel life, modernity, but also the Buddhist temple, there live with all the ceremonies every year, rumbling with his gigantic drums.
It is so indescribable that today it is still alive in me, I have it there, that culture is a permanent reference.
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I never returned to Japan, but maybe in February I do it because there is a scheduled exhibition.
Black line
I develop personal work because I like it, but I never imagined being telling today.
The project starts when, on the semester holidays, I go with some friends to Santa Martha.I wanted to meet Tayrona Park and talk to the indigenous people, because I saw them impeccable in their surroundings, dressed in white with a very curious hat and with their backpacks.
I was saying:
- Do they take me to the mountains?
- No!
- Well, ready.
He returned with friends, and the next semester asked:
- Do they take me to the mountains?
And they took me for Palomino up.
I returned to Santa Marta, called my dad and said:
- Dad, I think what I have to learn here in the mountains will not show me the Faculty of Architecture, so I will stay a semester.
- Quiet, son.
What was I going to do there?Well, collect beans, bananas, simply be, work, perceive, understand why when they eat offers food to Mother Earth, consult water, take some of them and bury it.
After four months I returned to the Faculty and everything did at hand with a brush.The teachers, who were friends, thought:
- Coque must be too artist, he must be crazy.
Of course, he was a backpack and arete student.Poor my dad!
Working with a brush was therapy, I loved it, also for ink.It was all geometric, I heard music, painted, worked and sold plans and models.My dad taught me to work since little girl.He told me:
- Camelle that I helped him, but camelle.
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There was a time where I decided that I could not do so much and I knew that I had to dedicate my free time to the Sierra Nevada project that is very demanding.You have to work on it, get the material and produce it, play many doors.Sudden.I'm talking about the black line, Sacred Landscape of the Sierra Nevada de Santa Marta.
- This is healing.
This black line project was adopted by the Foreign Ministry as itinerant in different parts of the world, leading to the mamo to make the offerings and allowing Colombia to speak of an ancestral image.There are communities that live in other parts of the world as spiritual pairs, as well as the mamos of the Sierra.
The black line had not been done again in fifty years.We have gone to more than fifteen countries, we started in Southwest Asia, Africa, Peru, Bolivia, Nepal, Vietnam, Bangkok;It may go to Russia and the National Library of Saint Peterburgs.We are inaugurating in Julio Mario Santo Domingo.
We seek to be a pedagogical issue, that new generations listen to these people in what they have to say to the world.
Every thing in the mountains has an intention, an exact meaning.They take a plant, they touch it and represent a vibration in the human language.What are we pampering?They are human who speak as nature, with a linear knowledge based on reincarnation, because they are, and the line of thought keeps it exactly, it is intact from the beginning of their culture to this day and since there is nothing written, I asked the mamo, to let me document because:
- If you are still killing, all this is going to end and there would be no memory of what is the meaning of a mountain.
This happened two years ago.It is not a paid job, much less.It's a compromise.
Travel and for twelve days document all.They ask me to keep it that they let me know when I can share it.
They make an imaginary line around the mountains, renewing ancestral offerings.There are fifty -three places where a magnetic cord is generated around it for protection, because the mountains is considered one of the sacred gardens of the world such as Tibet and Australia.Ururu stone.
How do you choose a way when you have so many to travel?
I think a lot about that.I am no longer so young, I work as an animal, I teach at the university.I have been a teacher for thirty years of my life.I bring attendees, students and the people who tell me that they want to learn.
What do you teach?
Photography.For example, in Sergio Arboleda I teach advertising photography.In advertising I dictate an advanced lighting workshop.I do perception workshops with the students and consists of how to look through the heart and not from the mind: it is seeing what you do not see, it is to observe things that suddenly go through your life and do not take them out to the conscious, do not look at them, and they are mirrors that you stop looking.They are things that later attract your attention, and that is that one has to look at all the mirrors that put it or if not, we do not advance.
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All part of the observation and my question is whether that observation is conscious or unconscious.
It is unconscious, but they are projects that you are preparing in your head.That is the truth of all this.You make movies in your head all your life and try to make themselves and you really want them and life is drawing it, you show it to you, but you have to look for it, you have to wish it, you have to ask for it.
For example, when I see an absolutely divine landscape, and being there with the camera thanks to life.
You are an old soul.
Yeah, muy vieja y he hecho regresiones.
I have some friends with whom we do a search job in the crystals, these are the memory of the planet and to the extent that you mediate, you find what nature means you.It is the same as mamos with the coca leaf, Jayo represents the connection of the human with the natural;It is a superior state of thought, it is the absolute recorder of all the conversations you have in your life.
When you invoke me to speak, we are establishing a connection that is not forgotten, which is recorded.
As a photographer you have revealed a lot in life, but what has been revealed to you?
I speak of parallel worlds and I think that what they have revealed to me is that there is that spiritual world that lives next to ours.Live, work and connect as an act of faith.
Faith is an ethereal element in life, but it is, and if there is no faith there is no possibility that things happen.I could tell you that a very deep spiritual path has been revealed to me, a connection path with these Sierra lords that show a walk where there is a lot of truth, wisdom and connection with everything that is around them.
In the Sierra Nevada a grain of sand is sacred and heals the pain in the world.Everything is connected.
Take me at that moment where you were so shocked that it transported you and transformed you forever.
Well, listen:
In an exhibition with the Mamo in Africa, which was being presented at the National Museum in Ghana, there were preparations that took years to arrive and received it as a spiritual couple, considered the king of the absolute kings of the universe, as each areKing in those places in Africa and the essence of humanity connected to Earth.
It is Africa, it is very hard for what she represents: the earth, suffering, sweat, work and much effort.And this is the exhibition we now take to Julio Mario Santo Domingo.
While in the river, Mamo tells me:
- Coque, tomorrow get up early that we are going to offer.
And I was more than ready, and I felt the blessing of being there with whom my spiritual father is considered.We are baptized, we are children of the Sierra and we have a commitment and a place to visualize.You acquire a name, or a vibration, and that is also a connection job.
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The mountain is its sacred garden and being in it, the mamo tells me to take the flute and touch for a while to take a message to the mountains, to Mamo Sarabi, who takes care of the Cancurua or Maloca to the mamo when he travels.The Cancurua is their place of origin, it is the ancestral memory of the arguabicu ethnicity, it is called the place of origin or Cancuru.There are all the objects that must be contained in a place to make aware of the world.
Then from there the procedure starts, the place absorbs the planet's karma to heal it.
If you were to deposit something on earth, as the mamos do to purify, what would you choose?
Crystals.This is what we do, offer crystals because they have an internal life and with them you learn to communicate through meditations.
Meditating is to program that glass to tell you about something specific, for example, to protect you or help you be more creative, to have health, that you are lucid in your work.Crystal is perfect for that.
Contact me, why have we traveled around the world with a project that simply started from a hobby?
Because the world needs it.
As it is.This material has something to tell the extremely deep world and that is why this connects, and that is what happens today with my life.I am a channel and I thank you because you have understood it absolutely good.
What define you?
A mountain.
In this image a certain tragedy, a lot of strength, a lot of movement is reflected, but I speak with you and you are calm, serenity.
Yeah.In the image the thing is absolutely dramatic.There are thousands of photographs of skies and that we pass it as in a super slow dissolvency, in a giant format.I love el performance porque es la manera de mostrar el trabajo y la gente queda feliz.I loven los rituales y la próxima exposición se inicia con uno porque se trata de explicarle a la gente cómo conectarse.
Where is your essence?
In the stones, and specifically in the great.That is what I like.The mamos teach to connect some stones with others by building a network of visualizations of magnetic places around the world.
I tell you an experience in Africa:
- Coque, Mamo Sarabi sends him to say that next to his right foot there are black shells that he must collect, that is what he should carry in a white backpack called La Marunzama that is the representation of Mother Earth.
They in that place, deposit what they collect in other places, take it and opt in the place of origin and from there the planet is healed.So I pick up the shells, document the material, take the photos, touch flute and mounted the exhibition.What we need is that they name the World Heritage Site.
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They are just one step away from achieving it.
I think we are close.Paula who is a total protagonist in all this, says the same.
What are those fundamental of your existence?
Those fundamental are the archetypes of the soul by which one at this time is here.Reincarnation, absolute respect, the search for love, music, image, but the latter is a support, it is a resource to bring people to see something in a certain way.
To enjoy it in exhibitions, for example.
I had not exposed anything of mine until six years ago.And one day a friend told me:
- Coque, you have a lot of material.You have to make an exhibition.
And Fernando Cano, son of Don Guillermo who is a divine soul too, lent me his house, which is a gallery, to make the exhibition.
To summarize you, it was a success in every way despite the enormous work that meant attending so many fronts.It started as something that people are interested in personal work and to connect.
Water is another fundamental.All these are revealed.
I have a job about balance:
I once had to see how a woman started her day using three stones and three sticks to make a bonfire in the middle of nowhere.I thought:
- Don't tell me that simple is life!
I interpreted this as in the perfect balance of three stones that are subject to everything that happens to one in life, for example, when they bury the mamos in the sand.If it has been a good human being who has connected with people and has helped a lot, stand up, looking to the east and connect a cabuya with the hair up.
A person with a deep sense of existence, who looks at everything with devotion, with respect, how can he not be contaminated with the everyday?
I try to abstract, but sometimes I do not achieve it, because, for example, the noise of the city takes me out of orbit, it returns to an aggressive one to end up walking on the defensive.
And you can't walk in that vibration permanently, I deal, but no, maybe at night when we touch a flute, we set a candle, we thank life, it is really simple but demanding.
The secret is also in breathing
Yeah, hay mucho trabajo con eso, sobre todo aprendiendo a tocar flauta.There is a tremendous technique, which helps a lot and I also owe it to Hernandito because he is a professional flutist.When he asks me what I want to hear, he interprets a forty -minute bach piece without breathing.It is a circular breathing playing a baroque flute on all those musical scales.
Music vibration has no comparison with anything.
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You are working for the planet, for a different world.How is that ideal world, that imaginary in you, which you want to reach through the realization of your delivery?
That ideal world ... is inner peace.
In food there is also information for life.
I am a disaster and I like to eat well, but I do not have the discipline.If I go by bicycle and it's hungry, I have to stop to eat something.I am a vegetarian since I collect dogs because: how are you going to collect a dog and ask for a churrasco?Besides, I don't like it.
One day a client told me:
- Coque, I call it for photos of the southern refrigerator of Bogotá.
You can imagine, I did not do it for what I put an absurd price.
The level of my pain threshold for an animal is minimal.I can't see an animal suffer.If someone is going to harm him, I get involved.
We have always slept with dogs in bed, all life.We had no children, we turned and we are totally.
What is in your silences?
I'm asking questions all the time, about death, existence.We are a path here;One carries a message and releases it, and it is suddenly left to another out there to take it.
What is death for you?
Stop being in this dress.Is to transmute that energy into a huge collective conscious that is in that same meditation.A large collective of energy, love, absolute and pure light.That is God, that is Buddha, a great group of wisdom of love.
That can be, according to Urantia, the 18th dimension where there is not even a body, only a group that also looks at other planets that are in a minor evolutionary state.
We came to learn, to work, not to kill the other, to respect, to do all that we have forgotten, to that we came and yet that is not new to anyone, but we do not look at it.
- Chévere doesn't hurt anyone, right?
Very sure.What is time in your life?
Chevere that time was non -existent;a circular where there is no beginning or end.It is vibration.
How do you start the days?
I start my day very early, missing a room for five o'clock and I am almost immediately in the park taking out the dogs because I like to see the dawn outside.
I had a motto with a friend:
- At dawn win.
We started at three in the morning for the Sisga or Guasca, we had a tripod, we took photos at dawn and thanked God for him.
How do you say goodbye?
With a technique called the Chi Kung.
Imagine, I know Roberto Lamberti makes every year of the planet;He is a friend and he invited me to a course in which I touched the flute, he also interprets wind instruments.This is a way to connect that vital energy very quickly and not in four or five -hour meditations.
I like to hug trees and I have my millenary tree that I love since I was little.
Podría interesarle: “El corazón delator”, el relato de un crimen
As you think in reincarnation, what would you like to reincarnate?
Completely.I would like to reincarnate, but it's hard to think because animals are very unprotected.If the scenario were another, without hesitation I would tell you that in a bird.
Look that these flutes are calling condors;They are made by some luthieres between Peru and Bolivia.
On a walk in the Andes, from an unparalleled landscape, the tour guide said that we would not see condors that day.I went with Patty to play down and we premiered the flute we had just bought.Once I started playing in that magnificent mountain, offering all the emotion I felt, suddenly shadows passed over our heads, five meters.I heard the sound of the feathers, and five or seven condors passed.The condors attracted by sound arrived.
What should be said about you tomorrow?
A person who achieves, through his trade, connect a message to the world.I am essence a teacher, I like to teach.
Are you timeless?
How do I feel that one day everything is going to end, I tell myself:
- Do it beautiful, right now, and learn.